On July 4th, we invite you to the next educational workshop in the series "Kępa Mieszczańska: From Needs to Culture". The workshop will be conducted in an atmosphere of openness to diversity, ensuring that every participant feels completely safe. It is open to everyone, and no previous experience of movement or bodywork is required.
The exhibition raises the question of how to re-establish a connection with the surrounding world and how to reformulate the relations between the individual, the collective and the environment. Tarasewicz’s works show the possible trajectories for such reflection, functioning as processual maps that stimulate the imagination of future modes of coexistence.
On April 25th, we invite you to the first educational workshop in the series "Kępa Mieszczańska: From Needs to Culture". The workshop addresses the universal needs described by Marshall Rosenberg—such as the need to be seen, to move, to inspire, and to rest. Above all, however, it is a space for encounter: with others and with oneself. No experience is necessary—just curiosity and a desire to be part of this story.
Already on April 18 join us for the launch of the “Kępa Mieszczańska. From Needs to Culture” programme in a relaxed, neighbourly atmosphere. This is an opportunity to learn about the project’s aims, explore Stajnia and meet people living in Kępa and the surrounding area.
The exhibition presents the results of six weeks of work by two artists whose biographies and artistic languages differ significantly. What they share, however, is a reflection on memory and time as well as their parallel activities during the Konrad and Paweł Jarodzki Artistic Residency in Krzyżowa at the turn of September and October 2025.
What We Can't Think? is an exhibition about being sensitive to a world in which humans are just one being among many. The starting point is the ecological and social destruction of capitalism and an attempt to transcend its logic. The exhibition consists of two-channel video and straw-like objects suspended between the living and the inanimate.
The exhibition raises the question of how to re-establish a connection with the surrounding world and how to reformulate the relations between the individual, the collective and the environment. Tarasewicz’s works show the possible trajectories for such reflection, functioning as processual maps that stimulate the imagination of future modes of coexistence.
What We Can't Think? is an exhibition about being sensitive to a world in which humans are just one being among many. The starting point is the ecological and social destruction of capitalism and an attempt to transcend its logic. The exhibition consists of two-channel video and straw-like objects suspended between the living and the inanimate.
Andreea Anghel’s exhibition "The Blind Man" treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine "The Blind Man", founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on her long-standing practice of reading and interpreting the images and objects she has gathered. At 66P she updates the magazine’s symbolic title, infusing it with her own interpretation.
The exhibition War Garden: Plants in Times of Conflict presents a microhistory in which plants are not only silent witnesses, but active participants in the events of the Second World War. They accompanied people both on the front lines and in daily life – as sources of hope, food, and medicine, and as symbols of survival in the face of catastrophe. Beyond their practical uses, the exhibition reveals the deep symbolism of plants – signs of resistance, hope, and memory. It tells the story of a green legacy that endures 80 years after the end of the war.
On April 25th, we invite you to the first educational workshop in the series "Kępa Mieszczańska: From Needs to Culture". The workshop addresses the universal needs described by Marshall Rosenberg—such as the need to be seen, to move, to inspire, and to rest. Above all, however, it is a space for encounter: with others and with oneself. No experience is necessary—just curiosity and a desire to be part of this story.
Already on April 18 join us for the launch of the “Kępa Mieszczańska. From Needs to Culture” programme in a relaxed, neighbourly atmosphere. This is an opportunity to learn about the project’s aims, explore Stajnia and meet people living in Kępa and the surrounding area.
Zbigniew Libera begins his stay in 66P with a story about selected fragments of the book Art of Liberation.
On June 18 we will show the premiere work Metric Measures at the White Goddess dance theater.
Ciepielewska has consistently developed her performative practices and painting themes since the 1980s, often in opposition to Western rationality, deriving inspiration from shamanism, animism and elements of Eastern spirituality.
When I paint a wingling, I have to keep repeating the same painting around it. The winglings refer to the rhythms of nature, the colourful lines are the lines of the fields. Karolina Kolenda talks with the artist.
It appeared in Wrocław to please the eye, surprise the passers-by and share good vibrations with them. It looks as if it was float in the air, dazzling with its light-hearted hues, urban chic and spontaneous joy. To be seen on Księcia Witolda 66 street – you are welcome!