On April 25th, we invite you to the first educational workshop in the series "Kępa Mieszczańska: From Needs to Culture". The workshop addresses the universal needs described by Marshall Rosenberg—such as the need to be seen, to move, to inspire, and to rest. Above all, however, it is a space for encounter: with others and with oneself. No experience is necessary—just curiosity and a desire to be part of this story.
Already on April 18 join us for the launch of the “Kępa Mieszczańska. From Needs to Culture” programme in a relaxed, neighbourly atmosphere. This is an opportunity to learn about the project’s aims, explore Stajnia and meet people living in Kępa and the surrounding area.
The exhibition presents the results of six weeks of work by two artists whose biographies and artistic languages differ significantly. What they share, however, is a reflection on memory and time as well as their parallel activities during the Konrad and Paweł Jarodzki Artistic Residency in Krzyżowa at the turn of September and October 2025.
What We Can't Think? is an exhibition about being sensitive to a world in which humans are just one being among many. The starting point is the ecological and social destruction of capitalism and an attempt to transcend its logic. The exhibition consists of two-channel video and straw-like objects suspended between the living and the inanimate.
Andreea Anghel’s exhibition "The Blind Man" treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine "The Blind Man", founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on her long-standing practice of reading and interpreting the images and objects she has gathered. At 66P she updates the magazine’s symbolic title, infusing it with her own interpretation.
The exhibition War Garden: Plants in Times of Conflict presents a microhistory in which plants are not only silent witnesses, but active participants in the events of the Second World War. They accompanied people both on the front lines and in daily life – as sources of hope, food, and medicine, and as symbols of survival in the face of catastrophe. Beyond their practical uses, the exhibition reveals the deep symbolism of plants – signs of resistance, hope, and memory. It tells the story of a green legacy that endures 80 years after the end of the war.
What We Can't Think? is an exhibition about being sensitive to a world in which humans are just one being among many. The starting point is the ecological and social destruction of capitalism and an attempt to transcend its logic. The exhibition consists of two-channel video and straw-like objects suspended between the living and the inanimate.
Andreea Anghel’s exhibition "The Blind Man" treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine "The Blind Man", founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on her long-standing practice of reading and interpreting the images and objects she has gathered. At 66P she updates the magazine’s symbolic title, infusing it with her own interpretation.
Irmina Rusicka and Kasper Lecnim create a unique landscape where nostalgia and mystery intertwine with the strangeness of form. A collection of photographs – scenes of nature immersed in a melancholic atmosphere—and biomorphic sculptures made from construction debris reveal that the world around us is not as coherent as we would like.
In Monuments Will Speak With Our Voices, Marta Romankiv initiates the process of building a prototype tool that amplifies the voices of often unheard, marginalised groups.
On April 25th, we invite you to the first educational workshop in the series "Kępa Mieszczańska: From Needs to Culture". The workshop addresses the universal needs described by Marshall Rosenberg—such as the need to be seen, to move, to inspire, and to rest. Above all, however, it is a space for encounter: with others and with oneself. No experience is necessary—just curiosity and a desire to be part of this story.
Already on April 18 join us for the launch of the “Kępa Mieszczańska. From Needs to Culture” programme in a relaxed, neighbourly atmosphere. This is an opportunity to learn about the project’s aims, explore Stajnia and meet people living in Kępa and the surrounding area.
Zbigniew Libera begins his stay in 66P with a story about selected fragments of the book Art of Liberation.
On June 18 we will show the premiere work Metric Measures at the White Goddess dance theater.
Ciepielewska has consistently developed her performative practices and painting themes since the 1980s, often in opposition to Western rationality, deriving inspiration from shamanism, animism and elements of Eastern spirituality.
When I paint a wingling, I have to keep repeating the same painting around it. The winglings refer to the rhythms of nature, the colourful lines are the lines of the fields. Karolina Kolenda talks with the artist.
It appeared in Wrocław to please the eye, surprise the passers-by and share good vibrations with them. It looks as if it was float in the air, dazzling with its light-hearted hues, urban chic and spontaneous joy. To be seen on Księcia Witolda 66 street – you are welcome!