{"id":4535,"date":"2022-01-26T14:47:55","date_gmt":"2022-01-26T13:47:55","guid":{"rendered":"https:\/\/66p.pl\/?p=4535"},"modified":"2025-07-14T11:10:26","modified_gmt":"2025-07-14T09:10:26","slug":"happy-the-end-pawel-jarodzki-konrad-jarodzki","status":"publish","type":"wystawa","link":"https:\/\/66p.pl\/en\/wystawa\/happy-the-end-pawel-jarodzki-konrad-jarodzki","title":{"rendered":"Happy The End.<\/b> Pawe\u0142 Jarodzki, Konrad Jarodzki"},"content":{"rendered":"\n
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Grand opening: February 4, 2022, at 6:00 PM
Duration: February 5 \u2013 March 5, 2022<\/p>\n\n\n\n

Sometimes, we look forward to it and, at other times, it strikes us too soon. However, it always delineates the proportions of everything that preceded it. At the \u201cHappy The End\u201d exhibition, we are concomitantly presenting the works of two artists who passed away almost simultaneously at the end of 2021. In his recent works, Pawe\u0142 was obsessed with the end theme. At times, it was subtle as a shadow accentuating life \u2013 an indispensable part of a stencil \u2013 and sometimes, perspicuous like a carnivalesque danse macabre.<\/em>In Konrad\u2019s art, on the other hand, the end was malleable and expandable. In his paintings, the artist explored this theme as a material sphere and as an experience set in a cosmic space-time. Thus, producing something likely to have a continuation. In Piekarnia (\u201cBakery\u201d), these two distinctive, yet united by the space, exhibitions reflect different approaches to representing the world, as well as different ways of dealing with an end. The former way focuses on the current issues that one should deal with here and now, while the latter is more abstract, seeking order to cope with the things that remain a mystery.<\/p>\n\n\n\n

Below photo-documentation of the opening night by M. Kujda.<\/strong><\/pre>\n\n\n